The Opus 2 Variations written by the 12-year-old Liszt reveal a formidable technique for his age; the fact that Liszt’s personality has not really emerged is of course inescapable, but the flexibility in piano writing and the neatness of the formal grasp make the work an attractive enough showpiece. A short introduction precedes the theme (Ah! Come nascondere la fiamma vorace from Rossini’s Ermione), chiefly remarkable for its rudimentary use of contrast and already quasi-orchestral keyboard effects such as timpani-like tremolo trills; the ensuing variations are almost solely designed as a vehicle for brilliant figuration in the salon style of the day, but within these limitations the young Liszt shows some fertility of invention, particularly with an attractive little polonaise.
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The Opus 2 Variations written by the 12-year-old Liszt reveal a formidable technique for his age; the fact that Liszt’s personality has not really emerged is of course inescapable, but the flexibility in piano writing and the neatness of the formal grasp make the work an attractive enough showpiece. A short introduction precedes the theme (Ah! Come nascondere la fiamma vorace from Rossini’s Ermione), chiefly remarkable for its rudimentary use of contrast and already quasi-orchestral keyboard effects such as timpani-like tremolo trills; the ensuing variations are almost solely designed as a vehicle for brilliant figuration in the salon style of the day, but within these limitations the young Liszt shows some fertility of invention, particularly with an attractive little polonaise.
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